Mutel, Didier and Andrea Dotti . La Gradiva. [Rome]: [Didier Mutel], 1999. First Edition. 46 pp. 38 cm x 56 cm. First edition of an original composition by Andrea Dotti published in 1999 at l’Académie de France, Villa Médicis in Rome.
In Gradiva Mutel once again engages his viewers and readers on multiple levels, primary among them: reinterpretation of classical literary works and traditions—as also seen in his editions of the Alice books and Jekyll and Hyde—, psychological inquiry into alternate identities and realities, and of course the art of acid engraving and etching, which in La Gradiva is powerfully and expertly presented.
Mutel’s work takes its name from Wilhelm Jensen’s 1903, novella, Gradiva: A Pompeiian Fancy, in which the protagonist, Norbert Hanold, a young archeologist, is so fascinated with an ancient Roman bas relief sculpture of a walking woman that he has a plaster-cast copy made for his own study, which he names Gradiva, “the woman splendid in walking.” So captivated is Norbert by the figure that he is driven to visit Pompeii in search of her origins. Jensen’s dreamlike tale juxtaposes Norbert’s deepest intellectual and psychological preoccupations with considerations of art, desire, dream, and reality. The original novella has endured in part due to the interest of Sigmund Freud, who made Gradiva the subject of full-length psychoanalytical and literary study, Der Wahn und die Träume in W. Jensens Gradiva (1908). This book marks the first time Mutel collaborated with a living author, Andrea Dotti, a well known Italian psychiatrist, whose essay for this edition is presented in its Italian original; the text has not otherwise been reprinted. Dotti makes his own analysis of Jensen and Freud as well as “the woman who walks”, i.e., Gradiva. Integrated within the text are Mutel’s fantastical engraved images, which themselves serve as psychological interpretations that cross the border between dream and nightmare.